Harun Farocki's and Antje Ehmann's silent film „Aufstellung“ from 2005 consists of various fragments and excerpts of pictures, graphics, pictograms and statistics from bald schoolbooks, newspapers and notes from authorities on the topic of (im)migration. The information seems unemotional until put together into an assemblage that has has a subtext. It shows a communication full of clichés and one dimensional, racializing violence.