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DIE ANERKENNUNG. #saytheirnames"},"fields":{"baseSlug":"/takdir-die-anerkennung"}}},{"node":{"frontmatter":{"id":14,"title":"SPOT: Was würden Nazis niemals tun?"},"fields":{"baseSlug":"/spot-was-wuerden-nazis-niemals-tun"}}},{"node":{"frontmatter":{"id":16,"title":"SPOT: Halitstraße"},"fields":{"baseSlug":"/spot-halitstrasse"}}},{"node":{"frontmatter":{"id":3,"title":"Sorge 87"},"fields":{"baseSlug":"/sorge-87"}}},{"node":{"frontmatter":{"id":6,"title":"Songs of Vertragsarbeit"},"fields":{"baseSlug":"/songs-of-vertragsarbeit"}}},{"node":{"frontmatter":{"id":5,"title":"Songs of Gastarbeiter"},"fields":{"baseSlug":"/songs-of-gastarbeiter"}}},{"node":{"frontmatter":{"id":12,"title":"Oury Jalloh"},"fields":{"baseSlug":"/oury-jalloh"}}},{"node":{"frontmatter":{"id":21,"title":"Library"},"fields":{"baseSlug":"/library"}}},{"node":{"frontmatter":{"id":1,"title":"Inventur – Metzstrasse 11"},"fields":{"baseSlug":"/inventur-metzstrasse-11"}}},{"node":{"frontmatter":{"id":2,"title":"Inventur 2021"},"fields":{"baseSlug":"/inventur-2021"}}},{"node":{"frontmatter":{"id":19,"title":"şahîd - nhân chứng – witnesses"},"fields":{"baseSlug":"/interviews-v-betroffenen-in-sachsen"}}},{"node":{"frontmatter":{"id":13,"title":"Initiative 12. August"},"fields":{"baseSlug":"/initiative-12-august"}}},{"node":{"frontmatter":{"id":20,"title":"FRITZ Magazin"},"fields":{"baseSlug":"/fritz-magazine"}}},{"node":{"frontmatter":{"id":17,"title":"Platz für Alle - Herkesin Meylani"},"fields":{"baseSlug":"/platz-fur-alle-herkesin-meylani"}}},{"node":{"frontmatter":{"id":8,"title":"Cut-out"},"fields":{"baseSlug":"/cut-out"}}},{"node":{"frontmatter":{"id":18,"title":"Interaktive Karte"},"fields":{"baseSlug":"/critical-map"}}},{"node":{"frontmatter":{"id":7,"title":"Aufstellung"},"fields":{"baseSlug":"/aufstellung"}}},{"node":{"frontmatter":{"id":11,"title":"ama bal | but honey | aber honig"},"fields":{"baseSlug":"/ama-bal"}}},{"node":{"frontmatter":{"id":10,"title":"77smq-0:26min"},"fields":{"baseSlug":"/77smq-026min"}}},{"node":{"frontmatter":{"id":24,"title":"Dokuzentrum"},"fields":{"baseSlug":"/dokuzentrum"}}},{"node":{"frontmatter":{"id":23,"title":"Demoschilder"},"fields":{"baseSlug":"/demoschilder"}}},{"node":{"frontmatter":{"id":15,"title":"Bruchlinien"},"fields":{"baseSlug":"/bruchlinien"}}}]},"allHashtags":{"edges":[{"node":{"locale":"en","isSimplified":null,"hashtags":[{"hashtag":"#inventur","shortcut":"#INV","text":"In 1975, the film Inventur - Metzstraße 11 is shot in the stairwell of an apartment building in Munich. The filmmaker Želimir Žilnik , like many of the residents portrayed, came to post-war Germany as so-called guest workers to work for the economic recovery.\n Stepping in front of the camera, they introduce themselves, talk about their origins, as well as their financial and social situation in Germany. Želimir Žilnik transforms the stairwell, which is often quickly abandoned after a brief greeting, into a place of encounter.","id":1},{"hashtag":"#inventur2.0","shortcut":"#IN2","text":"Pınar Öğrenci's work for this year’s exhibition is a new version of a film that was originally shot in Munich in 1975 by Yugoslavian Black Wave director Želimir Žilnik, this time directed by Pınar Öğrenci and set in the former East German city of Chemnitz. Unlike the original Inventory, in which Mediterranean guest-worker immigrants from the European South descend the stairs of their building, in Öğrenci's remake migrants, mostly Middle Eastern and Asian walk up the stairs and Germany is depicted as not a temporary but a permanent 'home' for immigrants.","id":2},{"hashtag":"#Sorge87","shortcut":"#S87","text":"Sorge 87\" is a multi-part project by Thanh Nguyen Phuong . The movie is shown in the exhibition and tells the story of her parent's immigration to the GDR in 1987. Like many Vietnamese contract workers , they were employed in the textile industry. Phuong merges her parent's and friends' memories and anecdotes. Drawings and prints illustrate the worklife and daily routines. For an additional thorough look into the research process, there is an extensive web documentary online.","id":3},{"hashtag":"#Tiefenschärfe","shortcut":"#TIE","text":"Mareike Bernien's und Alex Gerbaulet's movie „Tiefenschärfe\" investigates the Nuremberg crime scenes and the surrounding places. The murdered Enver Şimşek at a flower booth (2000), Abdurrhamin Özüdoğru in a tailor shop (2001) and İsmail Yaşar at his takeaway (2005). The camera shows and circles the mostly inconspicuous crime scenes: streets, crossroads, underpasses, schoolyards, places of daily social life. The movie pursues the question of how these crimes affected their environment and how this environment itself reacts to them.","id":4},{"hashtag":"#Babenhausen1997","shortcut":"#BAB","text":"Babenhausen is a movie that speaks for itself. Hito Steyerl's work from 1997 is opened by the quote: \"Considering these pictures, in our opinion there is no speech able to describe what happened here.\". The voice in the movie reports of the anti-Semite violence and its historical roots in Babenhausen. At the end we look at the Jewish Merin family's house, burned down in 1997. It stands as a memorial in the small hessian city.","id":5},{"hashtag":"#Songs-of-Gastarbeiter","shortcut":"#SOG","text":"Songs of Gastarbeiter was put together by AYKU (Imran Ayata and Bülent Kullukcu . The compilation includes different artists from different generations of so-called guest workers . The project was launched by the label Trikont in 2013. The Songs tell of life in Germany, working conditions and interpersonal experiences. Many of the songs were brought together from different archives and were not accessible before the publication.","id":6},{"hashtag":"#Songs-of-Vertragsarbeiter","shortcut":"#SOV","text":"The Songs of Vertragsarbeit are music from artists who came to the GDR as contract-workers. The pieces are various, just like the artistic approaches and biographies. But all of them join in the purpose of making the stories audible that have an exclusive perspective on the social life back then. These musical chronists of eventful times created a collage for the audience to experience their lives, dreams and hopes.","id":7},{"hashtag":"#Aufstellung","shortcut":"#AUF","text":"Harun Farocki's and Antje Ehmann's silent film „Aufstellung“ from 2005 consists of various fragments and excerpts of pictures, graphics, pictograms and statistics from bald schoolbooks, newspapers and notes from authorities on the topic of (im)migration. The information seems unemotional until put together into an assemblage that has has a subtext. It shows a communication full of clichés and one dimensional, racializing violence.","id":8},{"hashtag":"#Cut-Out","shortcut":"#CUT","text":"What can a victim's picture from a criminal record tell us? The movie\" cut-out“ from belit sağ tries to answer this question. It takes a closer look at the pictures of husbands, sons and brothers mourning relatives gave to the police. belit sağ comments the special edits of each picture and sticks other narratives on them. This way we can see what we were shown, what we should've seen and what we could see instead. Thinking about this opens a room full of possibilities. In this room, new spheres of socializing, connection and empathy might be created.","id":9},{"hashtag":"#kein-10-Opfer","shortcut":"#KEI","text":"The public protests named \"Kein 10. Opfer\" (\"No 10th victim!“) were organized by family and friends of NSU victims. They took place on 6th May, 2006 in Kassel and in June 2006 in Dortmund , just after Halit Yozgat and Mehmet Kubaşık were killed on 4th April and 6th April, 2006. The route led the protesters from nearby the Yozgat family's cybercafé to Kassel town hall. With posters and speeches, about 4000 protesters urged politicians and all of society to investigate and find the perpetrators and demanded public awareness for racist structures behind the killings.","id":10},{"hashtag":"#77smq-9.26min.","shortcut":"#77S","text":"The collective \"TRIBUNAL NSU-Komplex auflösen\" assigned the research institute Forensic Architecture with rechecking security agent and witness Andreas Temme's testimony relating the murder of Halit Yozgat . Halit's family has been demanding further investigation into the testimony, which shows enormous inconsistencies, for years. „77qsm_9:26min\" functions as a reconstruction of Temme’s description of circumstances of the crime and underlines the doubts considering his statement. Why don't investigators and courts follow these suspicions and what can civil interventions contribute to clear up the story of the NSU- complex?","id":11},{"hashtag":"#Forensic-Architecture","shortcut":"#FAR","text":"Forensic Architecture is a research institute based at Goldsmith Universty London. It investigates Human Rights violations committed by states, the police, the military or corporations. The inquiries are assigned to the institute by civil organisations or institutions and in most cases consist of counter investigations of statements and reports from companies and authorities. In 77sqm_9:26min , the FA investigated security agent Andreas Temme's testimony in the Yozgat case .","id":12},{"hashtag":"#Initiative-12-August","shortcut":"#I12","text":"Being hunted trough the city, Raúl Garcia Paret and Delfin Guerra died in Merseburg on 12th August 1979. On occasion of the 40th anniversary of their death, the Initiative 12th August was founded and arranged a first public memorial in 2019. The initiative deals with racism and racist violence in the GDR. Since racism needs to be seen and named as what it is, their main demand is a societal and legal accounting of racist killings in the GDR. In addition, they campaign for adequate compensations for the victim's families and former contract workers in the GDR.","id":13},{"hashtag":"#Oury-Jalloh","shortcut":"#OUR","text":"Oury Jalloh was born on 2nd June, 1968 in Kabala (Sierra Leone). He grew up with his siblings and was raised by his single mom in bad economic circumstances. The family fled to Guinea because of the civil war that took place from 1991 until 2002. Oury came to Germany in 2000. He lived in Dessau and was a well-liked person. On 7th January, 2005, he burnt in a police cell in Dessau. Evidence indicates that police officers murdered him, but until today the case has not been cleared up. In consequence of his death and in remembrance, the initiative \"BREAK THE SILENCE\" was founded.","id":14},{"hashtag":"#BREAK-THE-SILENCE","shortcut":"#BTS","text":"The initiative \"BREAK THE SILENCE - In remembrance of Oury Jalloh“ was founded by his family and friends in reaction to Jalloh's murder in a police cell in Dessau on 7th January, 2005. The circumstances of his death remain unclear until today. The so-called state of law is not willing to solve this case and take appropriate actions. The initiative takes over the government's task and throws light on the perpetrators and the background of Oury Jalloh's case. Moreover, they deal with racism, police violence and support those affected.","id":15},{"hashtag":"#Was-würden-Nazis-niemals-tun","shortcut":"#WAS","text":"These spots are audio-visual interventions concerning various facets of the NSU- complex . They were created for \"TRIBUNAL NSU-Komplex auflösen“ in Cologne in 2007. They identify blind spots within the investigation of the NSU-complex and shed light on the racist conditions that allow right-wing- networks to grow and make their actions possible in the first place. The spot \"Was würden Nazis niemals tun?\" (\"What would Nazis never do?\") deals with the majority society's perceptions and how Nazis can move and live there untroubledly. All spots are available online in various languages.","id":16},{"hashtag":"#Nazi-auf-Fahrrad","shortcut":"#FAH","text":"A press photo shows the AfD politician Björn Höcke together with his state election campaign team at a cycling tour in 2019. He repeatedly let himself be photographed with a bike for good publicity. ","id":17},{"hashtag":"#Bruchlinien","shortcut":"#BRU","text":"The NSU process , like a burning lens, makes visible the faultlines that divide Germany. Three episodes that were swept under the table during the five-year long court proceedings are reconstructed in the book \"Bruchlinien\" (\"faultlines\"). Complemented by Nino Bulling's drawings and Anne König's texts, the episodes narrate three experiences: Firstly, Gamze Kubaşik's, daughter of the victim Mehmet Kubaşik, secondly, the story of Susann Eminger, who supported the NSU and thirdly, a member of the Federal Office for the Protection of the Constitution, who was ordered to destroy records concerning the NSU. The pictures and stories are supplemented by interviews. The book is available in the library of the exhibition as well.","id":18},{"hashtag":"#Platz-für-Alle","shortcut":"#PFA","text":"Der \"Platz für alle (\"A place for everyone\") - Herkesin Meydanı“ , is a memorial in progress for victims of the ’s nail bomb attack at Probsteigasse and Keupstraße, Cologne . A copy of the floor panels of the very shop the bomb exploded 50 metres away of, is planned.","id":19},{"hashtag":"#Wo-geht-es-zur-Halitstraße?","shortcut":"#WOG","text":"These spots are audio-visual interventions concerning various facets of the NSU- complex . They were created for TRIBUNAL NSU-Komplex auflösen in Cologne in 2007. The spot \"Wo geht es zur Halitstraße?\" (\"How can I get to Halit Street?\") addresses the demanded renaming of the Holländische Straße (Dutch Street) to Halitstraße (Halit Street). That is where Hali Yozgat was born and killed. Nonetheless, the city refuses to admit to the renaming. Halit Street is part of hard-fought remembrance of the NSU - complex . All spots are available online in various languages.","id":20},{"hashtag":"#Karte","shortcut":"#KAR","text":"The critical map is an interactive map that zooms into cities that became crime scenes of the NSU. The map was developed within the project \"Offener Prozess\" (\"Open Process\") and is adjusted to the places the touring exhibition is currently placed at. It traces the socio-spatial connections within the particular cities.","id":21},{"hashtag":"#şahîd-nhânchứng–whitnesses","shortcut":"#WHI","text":"The documentaries „şahîd - nhân chứng – witnesses“ tell the stories of victims of the and nationalist violence in Saxony. These are stories of former contract workers and their children, punks that spend their adolescence in Chemnitz after the fall of the Berlin Wall, and collateral victims that only through a lot of luck are able to share their experiences today. As witnesses, they give insight into the life in a community and region where the NSU could live and operate undetected. The movies were developed in the context of the project \"Offener Prozess\" (\"Open Process“) under the direction of Hannah Zimmermann , together with the film team \"Red Tower Films\".","id":22},{"hashtag":"#FRITZMagazin","shortcut":"#FRI","text":"For a research seminar on the TU Chemnitz, called „#doing memory- Investigations of historic social spaces and memorial work in the former Fritz-Heckert-district , students, together with the artist Iréne Mélix and the teachers Hannah Zimmermann and Theo Treihse , intensively worked on understanding the districts history, development and connections to the . As the product of their work stands a new edition of the district magazine FRITZ , of which only one issue has been published in 1998. It is a socio-spatial investigation and artistical workup within the district in remembrance of the victims of the NSU.","id":23},{"hashtag":"#Library","shortcut":"#LIB","text":"The library , within the exhibition, functions as a space for meeting each other and doing research. You can find various publications, autobiographies, graphic novels and magazines, all about the NSU-complex . In the sense of the exhibition, the focus is on marginalized perspectives and material that has been collected until now. With this, the library stands in contrast to public authorities and secret service who in the past have destroyed evidence and ignored knowledge and perspective on the NSU-complex gathered and shaped by migrants themselves. It is a room for an active, democratic culture of remembrance and an invitation to linger, reflect and remember.","id":24},{"hashtag":"#Dokuzentrum","shortcut":"#DOK","text":"Looking at the NSU-complex , in various ways the society's insufficient handling of extreme right violence and right-wing terrorist structures becomes visible. To change that, a place is needed to collect, edit, discuss and impart knowledge and experiences: A room for vivid remembrance, for those affected and their perspectives. Task of the documentation centre is to help society to unlearn discriminating practices. It is a place yet to be built.","id":25},{"hashtag":"#TAKDIR-DIE-ANERKENNUNG","shortcut":"#TAK","text":"Focus of Ülkü Süngün’s performance is the correct pronunciation of the names of the ten victims of the . It's the decent thing to do to appropriately acknowledge them. The artist teaches everyone who is interested how to pronounce the names. The performance will be held on selected dates and can be seen as a film throughout the exhibition.","id":26},{"hashtag":"#Demoschilder","shortcut":"#DEM","text":"Protest placards are a tool to contend for a loud opinion and they have their very own performative role in a protest. The same as in this exhibition: The collection shows continuities and transformations in the fight against racist division. The posters connect and convey messages, knowledge, analyses and collective demands from protests after right-wing-terrorist attacks over the last decades. They call for action, remind us, strike up alliances. They draw attention to injustices at the same time. The collection of protest placards can be found at the start of the exhibition.","id":27},{"hashtag":"#Assembly","shortcut":"#ASY","text":"The assembly is a place of gathering and doing research. It states a possibility to reflect on and intensify the seen content. On the tables, in the archives, a series of material on various aspects of the NSU- complex can be found. All visitors are invited to browse through pictures and texts together and find connections to the pieces of the exhibition.","id":28},{"hashtag":"","shortcut":"","text":"","id":29},{"hashtag":"#Želimir-Žilnik","shortcut":"#ZZI","text":"Želimir Žilnik (*1942, Yugoslavia) is an artist-filmmaker from Novi Sad, Serbia. In his highly prolific career, Žilnik has made over 50 feature and short films, which have been exhibited internationally at film festivals including Berlin, Toronto, Rotterdam, Moscow and Oberhausen. From the late 60s, his socially engaged films in former Yugoslavia earned him accolades, but also censorship in the 70s and the 90s for his unflinching criticism of the government apparatus. His power to observe and unleash compelling narratives out of the lives of ordinary people is the common thread throughout his work.","id":30},{"hashtag":"#Pınar-Öğrenci","shortcut":"#POG","text":"Artist ınar Öğrenci (1973, Van, Turkey) lives in Berlin and currently teaches at Raum Strategies Kunsthochschule Weißensee Berlin. Her body of work, which consists mostly of video art and installations, is at the intersections of social and political content, everyday practices, and human stories. Her works mainly focuses on different reasons of forced displacement such as war, state violence, collective movements, industrial and urban transformation projects. Yet, they vary independently of theme and geography. In her recent works, Öğrenci has focused on the cultural symbols transported to Europe through Mediterranean from Middle East.","id":31},{"hashtag":"#Thanh-Nguyen-Phuong","shortcut":"#TNP","text":"Nguyen Phuong Thanh was born as a child of Vietnamese contract workers in Werdau (Saxony) in 1992. To study communication design, she moved to Berlin in 2013. She worked at Superior Magazine, Vice and Coup Mobility. Together with two friends, she founded W.I.R Werdauer Initiative gegen Rassismus (Werdau Initiative Against Racism) in 2017. It's an assembly that initiates projects in Werdau annually. Her short film \"Sorge 87“ celebrated world premiere at the DOK Leipzig in 2018 and was shown on over 20 German and international film festivals and panels.","id":32},{"hashtag":"#Alex-Gerbaulet","shortcut":"#AGE","text":"Mareike Bernien and Alex Gerbaulet live and work as artists and filmmakers in Berlin. In their practice they share commonalities in that they often start out from objects or places and are interested in the socio-political formations and conflicts within them. Since 2015 they have been working together on various projects, such as the short film of Field (2017) or the film and online project (2017). They have also been part of the production platform pong film in Berlin for numerous years. Since 2020 they are part of the Berlin Artistic Research Grant Programme / gkfd","id":33},{"hashtag":"#Mareike-Bernien","shortcut":"#MBE","text":"Mareike Bernien and Alex Gerbaulet live and work as artists and filmmakers in Berlin. In their practice they share commonalities in that they often start out from objects or places and are interested in the socio-political formations and conflicts within them. Since 2015 they have been working together on various projects, such as the short film of Field (2017) or the film and online project (2017). They have also been part of the production platform pong film in Berlin for numerous years. Since 2020 they are part of the Berlin Artistic Research Grant Programme / gkfd","id":34},{"hashtag":"#Hito-Steyerl","shortcut":"#HST","text":"Hito Steyerl makes experimental films and is a video artist. Having studied cinematography and documentary film directing, she graduated with a philosophical doctoral thesis in Vienna. Her main scientific interests lie in media, technology and distribution of pictures. Via texts, performances and essayistic documentaries, in the middle between fine arts and movies, theory and practice, she thematizes postcolonial studies and feminist approaches on representation.","id":35},{"hashtag":"#Harun-Farocki","shortcut":"#HFA","text":"Harun Farocki (1944-2014), born in what was then Czechoslovakia, was a filmmaker, artist and author. He taught as a professor at the Academy of Fine Arts Vienna and worked together with Antje Ehmann on the film Aufstellung, among others. Antje Ehmann is a curator and video artist. She studied literature and media studies as well as philosophy. Together with Harun Farocki she realized many exhibitions and films.","id":36},{"hashtag":"#belit-sağ","shortcut":"#BSA","text":" sağ is a videomaker and visual artist living in Amsterdam. She studied mathematics in Turkey and visual arts in the Netherlands. Her background in moving images is rooted in her work within video-activist groups in Turkey, where she co-initiated groups such as VideA, karahaber, and bak.ma. Her ongoing artistic and moving image practice focuses on the role of (visual) representations of violence in the experience and perception of political conflicts in Turkey, Germany, and the Netherlands. Her video works are distributed by LIMA.","id":37},{"hashtag":"#Sefa-Defterli","shortcut":"#KEI","text":"The course of the protest \"Kein 10. Opfer\" (\"No 10th victim“) was documented by several cameramen, among others was Sefa Defterli , who joined the whole material into a documentary and with that created an important report on this rally. The video in the exhibition shows an excerpt.","id":38},{"hashtag":"#Anne-König","shortcut":"#AKO","text":"Anne König is a publisher and author living in Leipzig. She co-founded the publisher firm Spector Books with Markus Dreßen and Jan Wenzel in 2001. Together with Wenzel, she curated the 7th and 8th Festival for Photography f/stop Leipzig. Her book (together with Nino Bulling ) „Bruchlinien. Drei Episoden zum NSU“ , as well as \" I Seem to Live- The New York Diaries, 1950-1969, Vol. 1\" from Jonas Mekas were published in 2019. She is currently working on a volume of photographs \"Der kurze Winter der Anarchie - Weimar 1998/90\" (\" A short winter of anarchy - Weimar 1998/90\") together with Anselm Graubner.","id":39},{"hashtag":"#Nino-Bulling","shortcut":"#NBU","text":"Nino Bulling draws comics writes texts. Nino studied at the Kunsthochschule Halle and has published numerous shorter and longer picture narratives since debuting in 2012. Nino's latest book, Bruchlinien , was published in 2019 in collaboration with Anne König by Spector Books.","id":40},{"hashtag":"#Tribunal","shortcut":"#TRI","text":"Das Tribunal (The Tribunal) is the result of the work of the Germany-wide collective \"NSU-Komplex auflösen\" (\"Dismantle the NSU-complex“) , as well is the commitment of many people who team up in activism against racism . In cities all over Germany, people that have been affected, survived or lost someone to the NSU- attacks, tell their stories in form of a civic tribunal. The triad of grief, denouncements and claims is the significant dramatic composition of the tribunal. Until now it took place in Cologne , Mannheim, Chemnitz and Zwickau .","id":41},{"hashtag":"#Ulf-Aminde","shortcut":"#UAM","text":"In his productions, Ulf Aminde deals with the relations between social movements, collective memories and resistance. Often, his works are placed and shown in public space. Distinctive for his cinematic work are collaborations with his protagonists and the experimental settings he uses. He developed a cinematic and (with the usage of augmented reality) participative memorial in Cologne, to remind of the racist attacks at Probsteigasse in 2001 and Keupstraße in 2004.","id":42},{"hashtag":"#Herkesin-Meydanı","shortcut":"#HME","text":"Herkesin Meydanı was founded in autumn of 2019 and campaigns for the construction of the planned memorial at Keup Street, Cologne. It is meant to remind of the NSU's racist terror attacks in Cologne and will function as a room for encounters, remembrance and as a panel for knowledge situated and generated by migrant communities. However, a group of investors obstructs the project and the space, the local politicians remain silent. This shows the structural racism within the city that refuses remembrance to the victims of the so-called . For this reason, the initiative demands a public space at Keup Street, the Herkesin Meydanı - a space for everyone.","id":43},{"hashtag":"#Ülkü-Süngün","shortcut":"#USU","text":"Ülkü Süngün is a visual artist and art activist. Through photography, installations, videos and performances she disputes migration- and identity politics and remembrance. She realized her artistic research project \"Gemeingut Jungbusch\" on the functions of migration and cultural insitutions considering gentrification in Mannheim in 2019.","id":44},{"hashtag":"#İmran-Ayata","shortcut":"#IAY","text":"Imran Ayata works is author, musician and activist. He published two novels (My name is revolution; Glory and decay), shorts stories and articles for many german newspapers and magazines. Additionally, he is a DJ and together with Bülent Kullukcu released the CD \"Songs of Gastarbeiter Vol. 1\" with the label Trikont in Oktober 2013. He also is a political scientist and works for the agency \"Ballhaus West\". Within the initiative #freedeniz, he campaigned for Deniz Yücel's and other political prisoner's release from turkish prisons and co-founded Kanak Attak.","id":45},{"hashtag":"#Bülent-Kullukcu","shortcut":"#BKU","text":"Bülent Kullukcu is director, visual artist, composer, gallerist and curator. He works with intercultural arts and realized numerous music, theatre and performance projects. Kullukcu created soundtracks and audiobooks (e.g. for BR and WDR), many sound installations for museums as well as the publishment of various vinyls and CDs with labels all over the world. Together with the author Imra Ayata he released the CD \"SOngs of Gastarbeiter Vol.1\" with Trikont in Oktober 2013.","id":46},{"hashtag":"","shortcut":"","text":"","id":47},{"hashtag":"#Fritz-Laszlo-Weber","shortcut":"#FLW","text":"Fritz Laszlo Weber studied at Kunsthochschule Kassel , completed the master programme at Hochschule für Künste Bremen and is now working as a freelance artist. He is one of the curators of this exhibition.","id":48},{"hashtag":"#Ayşe-Güleç","shortcut":"#AGU","text":"Ayşe Güleç worked in the department of the art director of documenta 14 from 2016-2017 and was head of the communication of art at the Museum of Modern Art in Frankfurt on the Main from 2018- 2019. She is currently working for documenta 15 and is one of the curators of this exhibition.","id":49},{"hashtag":"#Irène-Mélix","shortcut":"#IME","text":"Irène Mélix is an artist and cultural scientist. She studied in Dresden, Krakow, Hildesheim and Paris. Her work is, where political and aesthetical questions overlap. Currently graduating at Bauhaus Universität Weimar and living in Dresden, she is head of the exhibition production for this exhibition.","id":50},{"hashtag":"#Hannah-Zimmermann","shortcut":"#HZI","text":"Hannah Zimmermann studied sociology, Spanish and philosophy at the TU Dresden and is working as a lecturer in adult education. Her work covers the topics of asylum, migration, racism, antiziganism and the NSU. Together with Franz Knoppe and Jane Felber, she developed the project \"Offener Prozess\" (\"Open process“) and has been conducting it with Jörg Buschmann since 2019. Furthermore, she engages in „NSU-Watch\" and the tribunal \"NSU-Komplex auflösen“ .","id":51},{"hashtag":"#Jörg-Buschmann","shortcut":"#JBU","text":"Jörg Buschmann studied political science at the TU Dresden and the University of Leipzig. For the counseling centers for victims of right-wing motivated violence in Saxony, he documented the trial against the right-wing terrorist group Freital from 2017 to 2018. He has been working for the project Offener Prozess since 2019. ","id":52},{"hashtag":"#Vincent-Bababoutilabo","shortcut":"#VBA","text":"Vincent Bababoutilabo is a musician, author and activist living in Berlin and Leipzig. In his artistic work that has its place somewhere in between art and politics, he tries to connect these two spheres. In the last years, he laid his focus on migration, flight, decolonization, exploitation and resistance, as well as the artistic approach to the search for positive visions of a just society in which all are allowed to live differently, without fear.","id":53},{"hashtag":"#Theo-Treihse","shortcut":"#TTR","text":"Theo Treihse studied to become a teacher for politics and history and now works for the collective Educat in the field of nonformal education. He co-conducted the seminar \"doing memory\" at the TU Chemnitz in 2019/20.","id":54},{"hashtag":"#NSU-Watch","shortcut":"#NSW","text":"To resolve and to intervene\" is the motto of NSU-watch . NSU-watch observed the NSU- trial at the Higher Regional Court in Munich , reported via twitter and uploaded a detailed protocol for every one of the 438 days of the five-year long trial. Thus, an extensive online documentation was created, that was continuously updated with knowledge, materials and assessments to the and neo-Nazi structures. The work is funded by a collective of about twelve antifascist and antiracist groups and individuals from all over Germany who have been working on these topics for over a decade.","id":55},{"hashtag":"#Initiative-6-April","shortcut":"#IN6","text":"Halit Yozgat got killed out of racist motives in Kassel on 6th April 2006. With that in mind, the Initiative 6th April emerged. Its joint concern is the debate of the NSU - killings, their preconditions and consequences. The initiative „Initiative 6th April“ especially wants to take a closer look at the local context with the city Kassel. The members are working on an advanced discussion of the NSU- complex and engage in various alliances all over Germany.","id":56},{"hashtag":"#Initiative-Kein-Schlussstrich","shortcut":"#INK","text":"The campaign \"Kein Schlussstrich\" (\"Not drawing a final line\") was initiated by the Munich Alliance against Nazi terror and racism at the proclamation of sentence on the NSU-trial . At the day of the proclamation, the 11th July, 2018, more than 10.000 people protested on the streets all over Germany. The alliance demanded not to draw a final line under the NSU- complex , particularly because the Munich trial was held for over five-years under great effort and still left essential questions unanswered. Even after the sentence, relatives and survivors call for clarification of the supporters, the knowledge and complicity of the authorities. The alliance fights in solidarity with those affected, relatives and survivors, for the solving of the NSU-complex , a dignified culture of remembrance and the consistent fight against right-wing terror.","id":57},{"hashtag":"#Schweigen-durchbrechen","shortcut":"#INS","text":"The Initiative \"Das Schweigen brechen\" (\"Break the Silence\") was born in 2014 as \"Initiative zur Erinnerung an die Opfer des rechten Terrors in Nürnberg\" (\"Initiative to remember the victims of right-wing terror in Nuremberg\") with the goal of establishing a continuous memory in Nuremberg. The initiative carries out art actions as well as protests against the NSU-complex and racism by calling out the racist overall societal standpoint and national socialist continuities. They campaign for an antifascist and feminist praxis in connection with the active commemoration of the people killed by the so-called NSU.","id":58},{"hashtag":"#Offener-Prozess","shortcut":"#OPR","text":"Offener Prozess\" (\"Open Process\") is a project initiated by the ASA-FF e.V. for the reappraisal of the NSU- comple with its main focus on Saxony. Within this project, educational trips, research projects, so-called Critical Walks, school materials and movies with people affected by right-wing violence are developed and realized. It is a follow-up project of the theatre meeting \"Unentdeckte Nachbarn\" (\"Undetected Neighbours\") and is led by Hannah Zimmermann and Jörg Buschmann .","id":59},{"hashtag":"#BiLaN","shortcut":"#BIL","text":"The educational initiative \"Lernen aus dem NSU- Komplex\" (\"Learning from the NSU-complex\") (BiLaN) is a team of multipliers of political education, who deal with a wide range of topics, from racism and neo-Nazism to ideologies of inequality and engage in the fight against discrimination. The initiative emerged from a training course called \"Breit aufgestellt!\" (\"Broadly aligned!\") on preventing right-wing extremism that was held by the Federal Agency for Civic Education and Arbeit und Leben Hamburg (Work and Life Hamburg). BiLaN carry out project days and educational trips and try to make a contribution to a broad civic discussion of racism .","id":60},{"hashtag":"#Enver-Şimşek","shortcut":"#ESI","text":"It's 1961, Enver Şimşek is born in Turkey, grows up in the village of Salur, in a region where many flowers grow and bloom. In 1978, he marries his wife, A. Şimşek, who already lives in Germany. At 24 years he comes to Germany. Soon, his two children will be born and the family will live in Schlüchtern (Hesse). In 1955 he enters the flower market as a wholesaler, opens up his own warehouse, mobile flower stalls on the streets and a flower shop. His family describes him as a loving father and husband. Enver Şimşek gets shot on 9th September, 2000, in the van of his own flower stall in Nuremberg .","id":61},{"hashtag":"#Abdurrahim-Özüdoğru","shortcut":"#AOZ","text":"Abdurrahim Özüdoğru is born in Yenişehir, a city in north-western Turkey, Marmararegion, in 1952. He performs very well at school so that he gets a scholarship to study in Germany. He moves to Germany to study mechanical engineering at the University of Erlangen. He has many friends and is starting to build himself a home. He marries in 1980, four years later his daughter is born. After his studies he works as a metal craftsman at the Nuremberg based company Diehl. By the by. he establishes a tailor shop with his wife in southern Nuremberg . Abdurrahim Özüdoğru gets killed on 13th June, 2001 in his tailor shop by the .","id":62},{"hashtag":"#Süleyman-Taşköprü","shortcut":"#STA","text":"Süleyman Taşköprü is born in the province of Afyonkarahisar in Turkey on 20th March, 1970. From 11 on, he lives in Hamburg Altona with his parents and gets his secondary school certificate. His daughter, who he loves a lot, is born in 1998, when Süleyman is 28 years old. He takes over his father's grocery shop in Hamburg Bahrendfeld in 2001. His sister promises to honour and remember him with a Hollywood Star if he dies. Süleyman Taşköprü gets killed on 27th June, 2001 in his shop in Hamburg by the . A star with his picture at the Schützen Street in Hamburg reminds of him.","id":63},{"hashtag":"#Habil-Kılıç","shortcut":"#HKI","text":"Habil Kılıç is born in Borçka, in the province Artvin at the Turkish Black Sea Cost in 1963. He grows up there, later, he and his family will move to Yalova, the capital of the province Yalova. He meets his wife in Ankara, they get married in 1985 and their daughter is born 6 years later. Habil Kılıç works hard to feed the family, he works for cleaning and forwarding companies around Munich until the couple opens up a shop for fresh goods like fruit, vegetables and Turkish specialties in Bad Schachener-Street 14 in Munich Ramersdorf in 2000. On 29th August, 2001, Habil Kılıç is killed in his shop by the .","id":64},{"hashtag":"#Mehmet-Turgut","shortcut":"#MTU","text":"Mehmet Turgut is born in Turkey, in a village named Kayalik Köyu, in 1977. Mehmet and his brother are Kurds and lead a difficult life in Turkey; they are prosecuted because of their heritage. Therefore, they seek shelter in Germany and claim asylum there. Mehmet Turgut gets deported back to Turkey three times between 1994 and 2000. From 2003 on he earns his money working as a harvester in Germany. In the following year he gets a job at the take-away restaurant \"Mr Kebab Grill\" in Rostock , Neudierkower Weg 2. The fear of a deportation lingers. On 25th February, 2004 Mehmet Turgut is killed by the at the take-away in Rostock .","id":65},{"hashtag":"#İsmail-Yaşar","shortcut":"#IYA","text":"Ismail Yaşar is born in Alanyurt, Turkey in 1955. At 23, he moves to Germany after coming back from his military service and realizing he outgrew Alanyurt. He initially works as a welder and moves into his first flat in Nuremberg . He marries his wife in 1989 and lives in Franken with her and their daughter. Their second child is born in 1990 and they move back to Nuremberg . He opens up a take- away restaurant opposite the school his son goes to. Every day, schoolkids and people who are passing by buy kebab from him. On 9th June, 2005, Ismail Yaşar is killed in his restaurant by the .","id":66},{"hashtag":"#Theodoros-Boulgarides","shortcut":"#TBO","text":"Theodoros Bulgarides is born in Triantafyllia, Greece, in 1964. 1972, together with his brothers, he moves to Munich , where their parents already work at a company called Reisländer. After graduation he starts an apprenticeship at Siemens, later he'll work as a ticket inspector. He has two children with his wife, they are born in 1987 and 1990. Soon, he changes his profession, gets self- employed and opens up a key service. Theodoros Bouldgarides is killed by the on 15th June, 2005 at his key-service shop in Munich .","id":67},{"hashtag":"#Mehmet-Kubaşık","shortcut":"#MKU","text":"Mehmet Kubaşık is born in Pazarcik, southern Turkey, in 1966. He visits primary and secondary school there. Afterwards, he works as a farmer and in 1984 marries his childhood sweetheart in secret. Soon their first daughter is born. Due to the political situation in Anatolia, they move to Germany and live in Dortmund from 1991 on. Their second child is born and in 2003 the family takes on German citizenship. They are well entrenched in Dortmund , Mehmet opens up a newsstand in Mallinckrodt Street 190 in 2004 and is now self- employed. On 4th April, 2006, Mehmet Kubaşık is killed by the in his newsstand.","id":68},{"hashtag":"#Halit-Yozgat","shortcut":"#HYO","text":"Halit Yozgat is born on Holländische Straße in Kassel in 1985. He is his parents' fourth child and bears his grandfather's name. He performs very well at school and he enjoys learning new things. His favourite subject is mathematics. In his free time, he likes playing football and visiting the mosque with his friends. When he is only 19 years old, Halit opens up a cybercafé with his father on Holländische Straße 82. In addition to his work at the café, he visits a night school to graduate high school. Halit Yozgat gets killed at only 21 years in his cybercafé in Kassel by the on 6th April, 2006. When it happens, a member of the local Office for the Protection of the Constitution , Andreas Temme , is present.","id":69},{"hashtag":"#Michèle-Kiesewetter","shortcut":"#MKI","text":"Michèle Kiesewetter is born in Neuhaus, Thuringia, on 10th October, 1984. Her mother and stepfather raise her in Oberweißenbach. From a young age on she gets a lot of exercise and wants to be a policewoman when she grows up. She graduates secondary school in 2001 and after visiting technical secondary school starts her police training. Three years later, she completes high school, visiting extra-occupational education. On 25 April, 2007 she is on patrol with her colleague in Heilbronn . During a break, Michèle Kiesewetter is shot by the on a parking place. Her colleague survived, severely injured.","id":70},{"hashtag":"#Atilla-Özer","shortcut":"#ATO","text":"On 9th June, 2004, a nail bomb, placed by the , detonated in Keup Street, Cologne . Among other customers, Atilla Özer sat at the hairdresser shop the bomb exploded in front of. Numerous people, like Atilla, were severely injured. Still, the investigating authorities suspected the residents of Keup Street to be at fault for years. Due to the psychological consequences of these suspicions and investigations, Atilla Özer fell ill and died in 2017. His wife, now widow, campaigns for him to be recognized as a victim of the NSU.","id":71},{"hashtag":"#Delfin-Guerra","shortcut":"#DGU","text":"Delfin Guerra was born in Camaguey, Cuba on 19th November, 1960. Among about 150 colleagues, he came to the GDR to work there. He lived in a dormitory for contract workers on Straße des Friedens 68 in the south of Merseburg. Only months after his arrival, on 12th August, 1979, 19-year-old Delfin Guerra became victim of a racist hunt. To this day, neither the exact circumstances of his death have been resolved, nor have the perpetrators been identified. There has been no contact with his family, it may be that his relatives are left in the unclear about the true circumstances of his death until today. The public prosecutor's office in Halle refuses to resolve the case even today. The initiative 12th August formed on the occasion of the 40th anniversary of his death.","id":72},{"hashtag":"#Raúl-Garcia-Paret","shortcut":"#RGP","text":"Raúl Garcia Paret was born in Las Villas, Cuba, on 10th March, 1958. He came to work in the GDR in 1979 and lived at the Leuna Factory in Merseburg. 21-year-old Raúl Garcia Paret became victim of a racist hunt on 12 August, 1979. To this day, neither the exact circumstances of his death have been resolved, nor have the perpetrators been identified. His tomb is in Santa Clara, Cuba. Only through research of the MDR (Mitteldeutscher Rundfunk) his family found out about the violent, racist circumstances of his death in 2016. The public prosecutor's office in Halle refuses to resolve the case even today. The initiative 12th August formed on the occasion of the 40th anniversary of his death.","id":73},{"hashtag":"#Rassismus","shortcut":"#RAS","text":"Racism is an ideology that judges and degrades non-white people based on their looks, names, (assumed) heritages and cultural or religious features. With that, people are being assigned to homogeneous groups with specified characteristics. Racism expresses a social distribution of power and has major impact on our perceptions and actions. Racism shows through discrimination in daily life, verbal and physical violence as well as institutional and structural marginalization. One can find all of these characteristics looking at the NSU- complex . This exhibition attempts to contribute to the process of unlearning racism and any type of discrimination.","id":74},{"hashtag":"#Antisemitismus","shortcut":"#ATS","text":"Anti-Semitism includes all forms of hostility against Jewish people and states a secluded perception of the world. It is a strucural concern of our society. With anti-Jewish resentments and conspiracy theories, anti-Semitism finds a simple and flexible remedy for complex problems. It has existed for centuries and shows not only in physical and verbal attacks on Jews, but also in the demolition of graveyards and synagogues and the relativization and denial of the Shoah. Anti-Semitism has a major part in the worldview and attacks of the .","id":75},{"hashtag":"#Antiziganismus","shortcut":"#ATZ","text":"Antiziganism describes discrimination, exclusion and violence against people of Romani heritage. People who are assigned a Romani background because of certain characteristics, for example homeless people, Jenisch or (assumed) east European people, experience antiziganism as well. They are being described with a lack of identity or as being workshy. These external ascriptions lead to centuries of marginalization and prosecution. The investigations of the death of Michèle Kiesewetter’s death by the hand of the were impacted by antiziganist stereotypes as well: as until 2011, investigators were looking for a person of Romani heritage.","id":76},{"hashtag":"#Misogynie","shortcut":"#MIS","text":"Misogyny MIS includes all forms of hatred and violence against femininity and actions that are particularly anti-women. Misogyny is to be looked at as embedded in the patriarchal system or even further, the exact execution of patriarchy, whereas sexism is the ideology that attempts to express and defend the patriarchal distribution of power. Often, misogyny is not seen as part of extreme right-wing ideology, which needs to change, looking at right-wing online forums and right-wing terrorist's manifests. The robberies by the were characterized by increased violence towards women.","id":77},{"hashtag":"#Blood&Honour","shortcut":"#BHO","text":"Blood & Honour is a neo-Nazi network rooted in the British neo-Nazi and skinhead scene, founded in the UK in 1987. The organization counts thousands of members and established itself all over europe in the 1990s. It is financed and developed with the production and distribution of rightist extremist music. In Germany, the radical, actionist and highly militant core of neo-Nazi skinheads joined under the label Blood & Honour. Its goal is to \"join patriots of all directions not only in music but in combat\". The Saxon Blood & Honour section formed the very core of the network of NSU- supporters. Blood & Honour was prohibited in Germany in 2000, but the network was not eliminated and is active until today.","id":78},{"hashtag":"#V-Person","shortcut":"#VPE","text":"A V-person is a person that does not belong to the investigating authorities but is willing to cooperate with them. In general, their identity is kept a secret. Most of the time, the v-person comes from the milieu in which they are placed by the authorities. The NSU- complex shows that v- persons are often not a reliable source as they do not always pass on their whole intelligence and can use the money they earn to fund and support right- wing structures.","id":79},{"hashtag":"#Verfassungsschutz","shortcut":"#VER","text":"Offices for the Protection of the Constitution are domestic secret services. Their task is to protect the democratic validity of the Federal Republic of Germany. In reality though, there has been a consistent tendency to trivialize and cover up right-wing extremism and terrorism. Right-wing structures are being supported and the own influence in the field is being preserved. The NSU- complex lead to extensive calls for an abolition of the Office in its existing form, but its budget is being extended ever since.","id":80},{"hashtag":"#BAO-Bosporus","shortcut":"#BAO","text":"Before the killing of Enver Şimşek on 9th September, 2000, the authorities suspected \"organized crime\" to be the reason and ruled out right-wing motives, which the media accepted uncritically. After the murder of İsmail Yaşar on 9th June, 2005 a special commission called \"Bosporus\" was created. For \"investigative purposes\", they opened up a kebab restaurant in Nuremberg . The media reported in a racist manner, talking of the killings as the \"Bosporus series\". There were no new clues in this direction, but the course of the investigation was not changed. Procedures like these explicitly show the institutional racism within the NSU-complex .","id":81},{"hashtag":"#Nürnberg","shortcut":"#NUR","text":"As site of four attacks, there was a focus on the city on like no other. Mehmet O. was severely injured by the pipe bomb attack at the bar „Sonnenschein“ („Sunshine“) in 1999. The killings of Enver Şimşek (09.09.2000), Abdurrahim Özüdoğru (13.06.2001) and İsmail Yaşar (09.06.2005) followed. There are commemorative plaques at the crime scenes until today, placed not by initiative of the city of Nuremberg , but by committed citizens. In front of the Kartäusertor, a memorial site reminds of the NSU victims. The initiative \"Break the silence\" keeps the memory alive by organizing city tours, protests and memorial services.","id":82},{"hashtag":"#Kassel","shortcut":"#KAS","text":"Halit Yozgat got killed in his cybercafé on Holländische Straße 82 in Kassel by the on 6th April, 2006. When it happened, a member of the local Office for the Protection of the Constitution , Andreas Temme , was present. As of today, his involvement in the murder cannot be legally proven. Nevertheless, the Yozgat family, the Initiative 6th April and many others do not believe Temme's testimony to be true. A small site in front of the main Kassel graveyard that the city named \"Halitplatz\" in 2012, reminds of Halit Yozgat . Still, his family calls for a renaming of Holländische Straße to Halitstraße (Halit Street).","id":83},{"hashtag":"#München","shortcut":"#MUN","text":"Habil Kılıç (29th June, 2001) and Theodoros Boulgarides (15th June, 2005) were killed by the in Munich . The police suspected the perpetuators to be among their relatives until the NSU's self-exposure. The NSU- trial started in 2013 on the Higher Regional Court Munich. Two commemorial plaques were attached at the crime scenes in Westend and Ramersdorf in 2013, but, as the victim's relatives criticize, without involving their families in the process. In Munich , the Alliance against Nazi-terror and Racism and the Antifascist Information-, Documentation-, and Archive-site in particular work for the reappraisal and the remembrance of Habil Kılıç and Theodoros Boulgarides .","id":84},{"hashtag":"#Rostock","shortcut":"#ROS","text":"Mehmet Turgut was killed by the in the very take-away restaurant he worked in, in Rostock , on 25th February, 2004. In remembrance, the city of Rostock declared an artistic competition and set up two benches, facing each other, with reminding texts in Turkish and German. The initiative \"Mord verjährt nicht\" (\"Murder is not time barred!\") and his family demand a street to be named after Mehmet Turgut in remembrance.","id":85},{"hashtag":"#Heilbronn","shortcut":"#HEI","text":"On 25th April, 2007 the policewoman Michèle Kiesewetter was killed by the in Heilbronn , her colleague survived severely injured. The police found traces of DNA at the crime scene, that had already been detected elsewhere. Because of this, the police assumed the perpetrator to be a highly criminal, female, unknown person, the so-called \"Heilbronn phantom\". The criminal profile that was created had antiziganist prejudices written all over it. Based on these assumptions, the investigators focused on so-called travelling people, especially Sinti and Roma. A commemorial plaque reminds of Michèle Kiesewetter at the Theresienwiese in Heilbronn.","id":86},{"hashtag":"#Dortmund","shortcut":"#DOR","text":"The killed Mehmet Kubaşık in Dortmund on 4th April, 2006. His relatives Elif and Gamze Kubaşık suspect local supporters of the to still live in the city, undetected. The memorial of the victims of the and Mehmet Kubaşık has a central place in the city's culture of remembrance as one can find a memorial site for Mehmet Kubaşık at the crime scene on Mallinckrodtstraße as well as another near the train station that honours all victims of the . Next to it, a place at Münster Street was renaimed to \"Mehmet-Kubaşık-place\". Every year, the initiative \"Tag der Solidarität\" (\"Day of solidarity\") calls for remembrance on Mehmet's death day.","id":87},{"hashtag":"#Chemnitz","shortcut":"#CHE","text":"The lived in Chemnitz and executed eight robberies in the city between 1998 and 2000. Besides, Chemnitz was a cornerstone in the Blood & Honour network. After the NSU's self-exposure, Chemnitz went initially silent. Numerous initiatives like the History Workshop \"Trafo\", the theatre project \"Undetected Neighbours\", the youth care service of the cultural department Saxony, the project \"Open Process“ , the AJZ, the alliance \"Bunter Brühl\" (\"Colourful Brühl\") and the puppet theatre Chemnitz sprang into action to press ahead with the remembrance and reappraisal. Until today, there are no memorial sites for the victims of the in Chemnitz CHE.","id":88},{"hashtag":"#Zwickau","shortcut":"#ZWI","text":"From 2000 on, the found hideout in Zwickau . They coordinated and executed a series of murders, robberies and bomb attacks from there, supported by a huge network in Saxony. After their self-exposure, activists like the Grasslifters, the Sternendekorateure and NSU Watch Saxony demanded the uncoverage of the complete truth as well as memorial sites in Zwickau . Only in 2019, after a controversial dispute, ten trees were planted in remembrance at the Schwanenteich. Initiatives demand the initiation of an NSU-documentation centre to ensure a long-term reappraisal.","id":89},{"hashtag":"#Hamburg","shortcut":"#HAM","text":"The killed the food retailer Süleyman Taşköprü in Hamburg on 27th June, 2001. Up until the self-exposure of the , the police and media suspected his family and social environment to be responsible. A memorial in Hamburg Bahrenfeld reminds of the victims of the NSU, as well as a short part of the road in the industrial district that is named \"Taşköprü Street\". Furthermore, his family let a Hollywood Star with his photo be fixed at Schützen Street in Hamburg. The initiative for the clarification of the murder of Süleyman Taşköprü , together with his family, demands the appointment of a parliamental committee of inquiry in Hamburg .","id":90},{"hashtag":"#Köln","shortcut":"#KOL","text":"The NSU committed two bomb attacks in Cologne : One on a grocery store in Probsteigasse, on 19th January, 2001, and one on the hairdresser on Keup Street on 9th June, 2004. The 19-year-old daughter of the owner of the shop was severely injured at Probsteigasse. At Keup Street, dozens of people were injured and traumatized. Attila Özer died of the long-term effects of the nail bomb attack. In Cologne, one plaque, placed by an initiative, and an app-based tour through Mühlheim remind of the attacks. The memorial on Keup Street, invented by Ulf Aminde , has not been realized yet. The initiative \"Keup Street is everywhere\" and \"Herkesin Meyadani\" are campaigning for remembrance and reappraisal since the self-exposure of the .","id":91},{"hashtag":"#Temme","shortcut":"#ATE","text":"Andreas Temme was employee of the Office for the Protection of the Constitution Hesse in Kassel and, among other things, responsible for contacts to the right-wing-extremist scene. He was a regular at Halit Yozgat's cybercafé. He was present when Halit Yozgat killed. His statements concerning this matter are subject of many questionings. For the NSU-trial alone, he had to show up six times. With 77smq-9.26min , Forensic Architecture showed that his previous testimonies are likely to be untrue. Halit Yozgat's family and many observers have been calling for consequences for years.","id":92},{"hashtag":"#Keupstraße","shortcut":"#KEU","text":"The committed a nail bomb attack at Keup Street, Cologne , on 9th June, 2004. The street is known as a central shopping street in the Turkish community. Up until the self-exposure of the NSU, the police investigated only against the victims themselves and the survivors, not against neo-Nazis. The media suspected the residents as well. Therefore, at Keup Street, people talk about this time as the \"bomb after the bomb.\" In remembrance of the events, the residents demand a memorial at Keup Street.","id":93},{"hashtag":"#NSU-Prozess","shortcut":"#NSP","text":"The first NSU-trial began in May 2013 at the Higher Regional Court Munich and ended on 11th June, 2018, after 438 days of trial, with sentences for the accused. The accused were Beate Zschäpe, Carsten Schultze, Holger Gerlach and Ralf Wohlleben. 95 victims and relatives were joint rentiffs in this trial. All in all, 597 witnesses and experts were questioned. For countless victims and survivors of the attacks and their relatives, the trial was a disappointment due to many unanswered questions considering the choice of the witnesses, the network of supporters and the role of the Office for the Protection of the Constitution .","id":94},{"hashtag":"#NSU-Untersuchungsausschuss","shortcut":"#NUN","text":"No other topic was discussed as much in committees of inquiry like the . The parliamentary committees are, at least partly, an important tool in resolving the NSU-complex. They allow an accurate view on the actions of the numerous governmental authorities that were involved. The parliamentarians are able to view files, question the responsible employees and witnesses, draw conclusions and state recommendations on what to do next. A reoccuring finding of the inquiries was that the security authorities did not take the threat that right-wing extremism stated, seriously. The committees could not resolve everything, their efforts were obstructed by the secret service and neo-Nazis.","id":95},{"hashtag":"#Gastarbeiter:innen","shortcut":"#GAS","text":"Guest worker was a name for people that the FRG invited to work for the economic upturn from the 1950s on. After a certain time, they were to return to their home countries. This plan, as well as a racist attitude in broad society, lead to poor work and life conditions for the so-called guest workers so that they even initiated wild protests. After the recruitment ban for employees in 1973, many of them stayed in Germany and built a home there with their families. Guest workers and their descendants are affected by the attacks of the as well.","id":96},{"hashtag":"#Vertragsarbeiter:innen","shortcut":"#VAR","text":"The term contract worker describes people who came to the GDR from 1960 on. Many of them came from Vietnam, Cuba, Angola and Mozambique. The duration of their stay was supposed to be limited, integrating them into the society was not intended. The contract workers suffered poor working conditions and racist exclusion on part of the society of the GDR. Before and after the fall of the Berlin Wall, this caused many right-wing attacks on them and their descendants, for example in Merseburg (1979) and Hoyerswerda (1991).","id":97},{"hashtag":"#akzeptierende-Jugendarbeit","shortcut":"#AKZ","text":"Franz J. Krafeld developed the concept of \"Accepting youth work\" in the 1990s. At bottom, the capacity for social sustainability was supposed to increase with growing social integration of right-wing adolescents. (Extreme) right-wing perceptions were relativized as legit reactions to current situations. With this, in many youth centres right-wing hegemonies and networks emerged in the 1990s, like in the Fritz-Heckert-District in Chemnitz . They were basically funded by the governmental Programme against Aggression and Violence (AgAG).","id":98},{"hashtag":"#ini-19.-Februar","shortcut":"#IN1","text":"On 19th February, 2020 nine migrants were killed in Hanau . To support those affected and ensure remembrance of the victims of this racist attack, the \"Initiative 19th February Hanau\" emerged. It demands clarification, political consequences, social justice, an adequate remembrance and an end to the trivialization of right-wing-violence. The initiative created a space for solidarity, encounters and trust at Heumarkt in Hanau , a space of vivid memories. A place that stays, against oblivion!","id":99},{"hashtag":"#Halle","shortcut":"#HAL","text":"On 9th October 2019, the highest Jewish holiday Yom Kippur, a right-wing terrorist tried to intrude the synagogue in Halle . As this failed, he shot Jana L. and Kevin S. and severely injured two more persons. The attacker is no single perpetrator but has got support in the right-wing online community and in parts of society. Reports of Jewish affected people show that the conduct of authorities and state during the investigation is characterised by a ignorance and a lack of sensitivity. Here, just like in the NSU-complex , institutional racism and antisemitism become visible.","id":100},{"hashtag":"#Hanau","shortcut":"#HAN","text":"On 19th February 2020, nine people were shot out of racist motives in Hanau . This crime has to be understood as a consequence of societal racism , right-wing agitation and political trivialisation as well as cover-up of right-wing extremism. Once more, both state and society failed. After the attack the initiative “19th February Hanau for information and support of people affected and awareness” was founded. It created a spot for solidarity, encounter and trust at the Heumarkt in Hanau. It’s a place of vibrant remembrance. A place that stays.","id":101},{"hashtag":"#NSU2.0","shortcut":"#NS2","text":"Since summer 2018, death threats have been sent out to public figures, signed with “NSU 2.0” . It is not certain if the latter is an organized group or loosely connected people. It is mainly women and migrant people who are affected by these threats. The private data of the addressees are called up on police computers. These incidents again raise questions of right-wing networks within the security authorities. Moreover, some politicians interfere with investigations or don’t take it seriously. All this is being facilitated by racist attitudes within both authorities and society.","id":102},{"hashtag":"#Jugendclub-Piccolo","shortcut":"#JUG","text":"Until 2003 the youth club „Piccolo“ was located in 3-5 Johannes-Dick-Straße in the Fritz-Heckert district in Chemnitz . It was a crucial and well-known gathering place for the right-wing scene – also those people who later turned out to be supporters of the socialized in the club. The telephone number of the youth club was found on a telephone list of Uwe Mundlos in 1998. When summoned before the inquiry committee on “Neo-Nazi terror networks in Saxony”, the former director of the youth club declared the practiced approach of “accepting youth work” with rightists to have failed.","id":103},{"hashtag":"#Fritz-Heckert-Gebiet","shortcut":"#FHG","text":"The Fritz-Heckert district in Chemnitz has been conceptualised as a socialist planned city and, being the third largest developing area in the GDR, provided homes for 90,000 people. After the turnaround, this part of the city was characterised by many departures, biographical changes, uncertain future perspectives and both teardown and removal. From 1998 onwards, the core trio of the lived in the Heckert district . The tower block district offered opportunities for networking, transfer of weapons and heisting money in robberies. The project Offener Prozess (open process) offers Critical Walks the history of the Fritz-Heckert district .","id":104},{"hashtag":"#Nebenklage","shortcut":"#NEB","text":"Victims as well as relatives can become party to the accessory prosecution . The latter becomes party to the charge of the department of public prosecution. However, interests of the victims don’t have to be identical with those of the department of public prosecution. For example, the accessory prosecution in the NSU trial didn’t only call for a conviction, but also for a thorough investigation of the support network. Along with that, the failure of the law enforcement authorities along with its institutional racism should be processed. After all, the trial didn’t meet these demands. The accessory prosecution in the NSU trial involved more than 70 relatives and victims who were represented by roughly 50 lawyers.","id":105},{"hashtag":"#InstitutionellerRassismus","shortcut":"#IRA","text":"Institutional racism describes the “collective failure of an organisation to offer appropriate and professional service to humans due to their skin colour, culture or ethnic origin” (Macpherson report). Relating to the , institutional racism partially contributed to murders being not prevented and perpetrators not being seized in time. What is more, even victims of racist violence themselves were investigated while hints to racially motivated perpetrators were neglected. The 2015 report on the Elimination of Racial Discrimination by the UN committee criticised the insufficient visualisation and analysis of institutionally rooted racist structures within the German police and justice.","id":106},{"hashtag":"#migrantisch-situiertes-Wissen","shortcut":"#MSW","text":"Migrant circumstanced knowledge describes the specific bodies of knowledge of people that have had experience with migration and racism. It refers to the collective knowledge about racism as a societal relation and its consequences. Due to the marginalised position of people with such experience, also their knowledge is marginalised. Hence, the ignorance of that knowledge cannot be attributed to an insufficient articulation, but rather to its limited audibility.","id":107},{"hashtag":"#Einzeltäter","shortcut":"#EIN","text":"The term “single perpetrator” implies that somebody acts on their own. However, this concept disregards the fact that the person has become radicalised by a terrorist organisation, the internet or ideological attitudes in society and thus has been motivated to act. Hence, the term refers to the planning and implementation of the crime. Yet, the “single perpetrator” is mostly spoken of as an isolated individual and both ideological factors and groups that motivate to commit the crime are not taken into account. This is shown by the way the authorities are handling right-wing terrorism.","id":108},{"hashtag":"#NSU","shortcut":"#NSU","text":" is a self designation of the right-wing terrorist network “Nationalsozialistischer Untergrund”. Between 1998 and 2001, the conducted an enormous series of murders, robberies and assaults and was able to live in the cities of Chemnitz and Zwickau without being recognized for thirteen years. As of today, ten people lost their lives because of the terrorist acts of the . Numerous other people were severely injured and traumatised in the bomb attacks and robberies. The core trio consisted of Beate Zschäpe, Uwe Böhnhardt and Uwe Mundlos and the support network was formed by a considerable number of other neo-Nazis.","id":109},{"hashtag":"#NSU-Komplex","shortcut":"#NSK","text":"To understand the NSU as a complex means to not regard the core trio in isolation but rather embedded in a support system and racist as well as antisemitic structures in society and community. These structures facilitated years-long right-wing terrorism. Media talked of “Kebab Murders” in a racist manner and the authorities solely investigated in the surroundings of the victims, destroying files and both covering and paying confidential informants in the right-wing scene. In doing so, they effectively nurtured right-wing structures. Until today, the NSU complex has not been dissolved.","id":110},{"hashtag":"#ARK","shortcut":"#ARK","text":"Das Kollektiv ARK ist ein dynamisches Netzwerk aus verschiedenen Menschen (Sarah-Indriyati Hardjowirogo, Johannes Ismaiel-Wendt, Sebastian Kunas, Malte Pelleter) und MusikmachDingen. Es entwickelt post-repräsentative Formate aus Sounds, Beats und Instrumenten. ARKs Installationen und Sound-Lectures wurden u.a. im Museum für Kunst und Gewerbe (Hamburg, 2018), im Johann-Jacobs-Museum (Zürich, 2019) und im MARKK Museum am Rothenbaum (Hamburg, 2021 – heute) präsentiert.","id":111},{"hashtag":"#ama-bal","shortcut":"#ARK","text":"'Arı gibi çalıştılar ama bal yapamadılar' - 'They worked like bees but didn't produce any honey.' These words were spoken by Ayşe Yozgat, the mother of the ninth NSU victim Halit Yozgat, after the verdict was pronounced at the end of the so-called NSU trial, into the microphones of journalists waiting in front of the Munich Regional Court. The sound installation ama bal | but honey | aber honig deals with the question of how the microphone circuit in the courtroom determines the speaking order: Who is allowed to talk – who has to provide information? Who can have their voices heard – who has to remain silent? The microphones are thereby used as technologies not only for speech, but also for strategic silencing. At the same time, they are witnesses to a trial that seems more preoccupied with itself than with the murders around which it centers. The starting point of the installation is the essay Richt-Mikrofone. Expert opinion on questions about possible 'sonic segregation' in the so-called NSU trial by Johannes Ismaiel-Wendt, published in Zeitschrift für Medienwissenschaft 10 (18) (2018).","id":112}]}}]}},"pageContext":{"locale":"en","title":"Cut-out","baseSlug":"/cut-out"}},"staticQueryHashes":["3653815134","4179613674"]}